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Book Summary
Studying the Short Story by J. Berg Esenwein is a classic guide to understanding and appreciating short fiction. Originally published in the early 20th century, it breaks down the elements of short stories—plot, character, setting, and theme—while offering practical analysis techniques. Though dated in examples, its timeless principles make it a valuable resource for students, writers, and teachers seeking a foundational approach to literary analysis.
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About Studying the Short Story
J. Berg Esenwein's Studying the Short Story is a systematic manual for readers and writers of short fiction. Drawing on his experience as an editor and educator, Esenwein explains how short stories are constructed, covering plot structure, character development, setting, point of view, and theme. He provides methods for analyzing stories, with exercises and questions to guide close reading. While the examples are drawn from early 20th-century literature, the core principles remain relevant. The book is particularly useful for its clear, step-by-step approach to literary criticism and its emphasis on understanding authorial technique. It serves as both a textbook for classroom use and a self-study guide for aspiring writers.
Who should read Studying the Short Story?
This book is ideal for high school and college students studying short fiction, English teachers seeking a structured approach to literary analysis, and aspiring writers who want to understand the mechanics of storytelling. It also suits general readers who wish to deepen their appreciation of short stories. Those looking for contemporary examples may need to supplement it, but the foundational concepts are timeless.
Pros & Cons
Pros
- ✓ Provides a clear, systematic framework for analyzing short stories
- ✓ Includes practical exercises and study questions for active learning
- ✓ Covers all major elements of fiction: plot, character, setting, point of view, and theme
- ✓ Written in an accessible, instructive style suitable for self-study or classroom use
- ✓ Offers timeless principles that remain applicable to modern short fiction
Cons
- ✗ Examples and references are dated, focusing on early 20th-century literature
- ✗ Some terminology and critical approaches may feel old-fashioned to contemporary readers
- ✗ Lacks discussion of modern and postmodern short story techniques
- ✗ No updated edition with contemporary stories or diverse voices
- ✗ May be too basic for advanced literary scholars
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Frequently asked questions
Is this book suitable for beginners?
Yes, it is written in a clear, instructional style that assumes no prior knowledge of literary analysis, making it accessible to beginners.
Does the book include contemporary short stories?
No, the examples are primarily from the late 19th and early 20th centuries. Readers seeking contemporary examples should look for newer anthologies.
Can this book help me write short stories?
Yes, while focused on analysis, the book's breakdown of technique and structure is valuable for writers learning to craft their own stories.
Is this a textbook or a general guide?
It functions as both: it was designed for classroom use but is equally effective for self-study, with exercises and questions for reflection.
How does this edition differ from earlier ones?
This is a reprint of a classic work; it does not include modern updates or additional material. The content remains faithful to the original edition.
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