Performance Making: a pedagogy for...
"Surveying how performance as a form has evolved as a distinct artistic sector to where it is today Performance Making provides a comprehensive insight on the impact the artform h…
"Surveying how performance as a form has evolved as a distinct artistic sector to where it is today Performance Making provides a comprehensive insight on the impact the artform h…
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In Performance Making: a pedagogy for..., Anna Furse draws on decades of experience as a theatre maker and educator to articulate a rigorous approach to teaching performance creation. The book moves beyond directing or acting manuals to focus on the generative process of making new work. Furse outlines a pedagogical framework that integrates embodied practice, critical reflection, and collaborative devising. Chapters likely cover workshop structures, improvisation as research, dramaturgical thinking, and methods for giving feedback and assessment. Rather than prescribing a single method, Furse encourages teachers to adapt principles to their own contexts. The text balances theoretical underpinnings with concrete studio exercises, making it a valuable resource for those who train the next generation of performance makers. It addresses the challenges of facilitating student-led creativity while ensuring academic rigour and safety.
This book is essential for drama and performance lecturers in higher education, particularly those teaching devising, contemporary performance, or practice-as-research. Workshop facilitators, community theatre leaders, and artist-educators will find its pedagogical frameworks adaptable. Postgraduate students in theatre and performance studies, especially those preparing to teach, will benefit from Furse's reflective approach. It also suits curriculum designers seeking to embed creative process and critical reflection into performance programmes.
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